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|flick pick |
Directed by: Campbell
Scott, Stanley Tucci
Written by: Joseph Tropiano, Stanley Tucci
Starring: Tony Shalhoub, Stanley Tucci, Minnie Driver, Ian Holm,
Look for it at the video store under: drama
Watch it when youíre in the mood for something:
The verdict: Ĺ
/ 5 the rating
Brothers Primo and Secondo
run a failing Italian restaurant in 1950s America. Americans just donít
get Primoís exquisite concoctions Ė theyíre looking for the
familiarity of mediocre spaghetti and meatballs, not the sumptuous
delights of a seafood risotto. While Secondo, the practical-minded,
Americanized brother, scrambles around trying to find some way of
salvaging their business, stubborn Primo continues to hold fast to his
ideals: when it comes to creating food, he will not compromise to suit
the bad tastes of potential customers. When Secondo goes to Pascal, the
owner of the appallingly cheesy and enormously successful bar and
restaurant across the street, in search of a loan, Pascal offers up an
alternative instead: heíll call up his friend Louis Prima, the famous
musician, and invite him to a specially-prepared dinner at Secondo and
Primoís restaurant. Itís a chance to generate exactly the sort of
buzz that the restaurant desperately needs. The brothers make frantic
preparations to create the feast of a lifetime in one last-ditch attempt
to save their place.
Night is one of those movies that just makes me go "Awwwwwww
Ö." Itís warm and lovely and touchingly happy-sad; it leaves me
drooling for a good meal, and missing my food-loving family immensely.
My cousin once complained that the only thing our family does when we
gather together is eat, but personally, Iíve always been thankful for
that fact. Food as an expression of love and identity, eating as a
celebration of family, friends and life Ö these, the central themes of
Big Night, are themes with which anyone who truly loves good food
can identify. Tony Shalhoub is very, very funny as the cantankerous
Primo, and the contrast between his supreme confidence in the kitchen
and his ineptitude when he steps out of his cozy little domain and
attempts to ask out his florist friend is both painful and sweet. But itís
Stanley Tucciís Secondo that steals your sympathies Ė his
frustrations are palpable as he struggles to reconcile how much to
compromise his integrity for the sake of financial solvency, to let go
of his heritage to embrace his new culture, to give up who he is to
become what others want him to be. The entire cast is stellar, the
performances so natural that it barely seems like acting, and the food!
The luscious, glistening food shots of the glorious final feast nearly
steal the show.
lounge . nourish
. host .
. home .