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DigsMagazine.com.
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flick pick |
Bottle Rocket
1996
Directed by: Wes Anderson
Starring: Luke Wilson, Owen Wilson, Robert Musgrave
Language: English
Look for it at the video store under:
comedy
Watch it when you’re in the mood for something:
hip,
quintessentially
quasi-adult, whimsical |
Plot synopsis
Dignan’s a twenty-something
slacker/former landscaper (read: lawn-mower) who fancies himself a real
renegade. His so-called crimes, however, are so pathetically
hare-brained that he’s more a criminal in his own mind than in the
eyes of the law. When he "breaks" his friend Anthony out of
the insane asylum (in actuality, Anthony’s checked himself out – it
was, after all, a voluntary commitment, but Dignan got so excited about
masterminding the escape that Anthony didn’t have the heart to tell
him the truth), his first order of business is to corral his friend into
joining his "team" for some mysterious "job",
organized by the supposedly infamous Mr. Henry. Anthony doesn’t seem
to have a whole heck of a lot going on his life right now anyway, so he
humors Dignan by going along with the scheme. The two recruit a third
man, Bob – a rich boy slacker whose primary qualification for this
crime spree is that he’s the only one of them who has a car. After the
trio somewhat successfully test their skills by robbing a local
bookstore – yes, you heard right, a bookstore – they head out of
town to lie low for a few days, imagining that the cops must surely be
hot on their trail now. At their motel hideaway, however, Anthony falls
in love with the maid, Bob freaks out when he finds out his brother’s
been arrested, and Dignan’s left alone, desperately trying to remind
everyone not to lose sight of their criminal aspirations, in hopes of
pulling the team together to pull off the big final heist.
Review Wes
Anderson is the king of quirky geek hipness, as anyone who’s seen
Anderson’s terrifically funny second film, Rushmore,
ought to know. Bottle Rocket was Anderson’s first full-length
feature, and like Rushmore, it’s a movie about little guys with
big dreams, oddballs with delusions of grandeur. At heart, Dignan,
Anthony, and Rob are the stereotypical gen-x slacker losers, caught in
that twenty-something limbo between childhood and adult life. But what’s
wonderful is that Anderson and co-writer Owen Wilson (who also turns in
a hilarious performance as the seriously wacked-out Dignan), manage to
render these guys loveable without ever making these characters out to
be anything but the weirdo dork losers they actually are. The movie gets
a little slow in the middle – the romance between Anthony and the
hotel maid doesn’t quite work – but it redeems itself with a bizarre
and hilarious final heist sequence.
o
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